Posts Tagged ‘Teen Dance Company’

Don’t Forget to Sign Up for TDC Summer Intensive!!!

Sunday, July 11th, 2010

For those of you in the N.CA Bay Area, don’t forget to sign up for the TDC summer intensive. This year there’s a great line-up of teachers. The faculty is truly great and it’s a wonderful opportunity to check out TDC. The week ends with an audition for the pre-professional company as well, so if you are interested in the company, this is the time to come out and dance! Plus, there are open classes all summer long.

Here’s the info on the intensive…(By the way, the photo is of the girls in Julian’s piece of choreography performing it in San Francisco!)

Summer Intensive
August 9th – 13th

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Join us for our summer intensive, 5 days, 6 hours per day, with some of the best classes the bay area has to offer. Outstanding professional faculty, variety of dance styles, hard work and lots of fun!
Featuring the following guest artists
Adam Aicher: Formerly with Company C. Affiliated with Moving Arts
Christian Burns: Formerly with LINES Ballet, Affiliated with SF Conservatory of Dance, Co-director The Foundry
Lee Wei Chao: Former dancer with Milwaukee Ballet Company, Joffrey Ballet of Chicago & Taipei City Ballet, Faculty: LINES Ballet
Vid Cotarta: San Francisco based Teacher & Choreographer
Kara Davis: Faculty: LINES Ballet, UC Berkeley, Co-director project agora
Arturo Fernandez: Ballet Master Lines Ballet, Master Teacher
Paco Gomes: Artistic Director: Paco Gomes & Dancers, Affiliated with ODC Dance Commons & San Francisco State University
Marina Hotchkiss: LINES, BFA Program Director
Carlos Jones: Assistant Professor of Theatre and Dance at Buffalo State College, Choreographer/Master Teacher
Gary Masters: Associate Professor of Dance, San Jose State University, Founder and Co-Artistic Director of sjDANCEco. Former Principal dancer with Limón Dance Company
Stacey Printz: Artistic Director, Printz Dance Project, Affiliated with San Francisco Dance Center
Ronnie Reddick: San Francisco based Teacher & Choreographer
Lizz Roman: Artistic Director: Lizz Roman & Dancers, Affiliated with ODC Dance Commons & UC Berkeley
Katherine Wells: Affiliated with Robert Moses Kin, MFDPSF, and former dancer with Lar Lubovitch

And our own TDC Faculty -

Mark Foehringer: Artistic Director of Mark Foehringer Dance Project San Francisco & TDC
Brian Fisher: Formerly with ODC Dance, Affiliated with MFDPSF
Heather Cooper: Associate Professor of Dance, San Jose State University, Dancer: sjDANCEco, Choreographer

Register online www.teendancecompany.org
Or, call (408) 590-3853

OMG! Tech Week after Tech Week and Finals, Too!

Wednesday, June 2nd, 2010

This is just a short post. Things are gearing up here…or have been in high gear. We are trying our best to get Julian to study every chance he gets, but those are few and far between. He had tech week last week for Alice in Wonderland. The show was fabulous! Oh, how cute he was with ear and a nose and a ruffled shirt with a velvet jacket. He made a wonderful White Rabbit. His dancing was great–super partnering!–and he did a fine acting job as well (if I do say so myself). And this week we are heading into three days of tech for the TDC Spring Concert. (Please buy a ticket and support TDC if you live in N. CA!) By the time Julian finishes with that on Sunday, finals will be starting on Monday.

My daughter graduates on the 11th and five days later Julian and I are off to New York for the ABT Summer Intensive. I’ve hardly had time to think about it! OMG! Good thing he has most of his gear already and we know are way around. I guess I better start packing! I have a deadline on the 10th, too.

Sheesh.

Anyone else out there feeling a bit frantic about now?

So, today I’m just writing to say…well…things are crazy, but the boy is dancing up a storm and feeling good about that. He’s not stressed about exams. I am. I’m worried in general about his grades. I’ll feel better when I find out he brought all his grades up a notch. My stepson arrives on Friday. He’s supposed to be Julian’s study buddy…

Ah, well…In the meantime, I have enough to do with getting ready for NYC and my daughter’s graduation.

Wish you all could have seen my rabbit…so cute. He’s excited to see where he is placed this year at ABT. I won’t reveal his hopes. Oh! His best friend (a girl) is going, too. So that will be nice.

That’s it today! Just some friendly nervous mom chatter.

By the way…any votes on the new theme for the blog? I’ve changed it two or three times now. Now one has said a thing.

TDC Spring Concert and Summer Intentsive Fast Approaching

Sunday, May 23rd, 2010

Okay, this is a blatant advertisement for the TDC Spring Concert and summer intensive, if you live in the Northern California area. Attending the show offers a great way to see what the program is about and to see the level of dance and dancer at TDC. Plus, by attending you support a superb nonprofit organization focused on turning out dancers prepared to enter college dance programs or the world of professional dance. The summer intensive, like the year-round program, is superb and offers great local teachers and choreographers. It’s also concludes with auditions for next year’s program.

So, here’s the info:

Annual Concert 2010
Mexican Heritage Theatre, San Jose

Saturday, June 5 at 7p.m.

Sunday, June 6 at 2p.m.

Corrie's work

Under the artistic direction of Mark Foehringer, TDC presents its 11th Spring Concert with six world premieres by some of the Bay Area’s most noted choreographers at Mexican Heritage Theater of San Jose.

KT Nelson, associate artistic director of ODC/Dance, has created a new work for this concert using Vivaldi’s Summer as her musical score. KT Nelson has conceptualized a work for the TDC dancers that features their strengths and pushes their boundaries.

Amy Seiwert, resident choreographer of Smuin Ballet and artistic director of

im’ij-re , has created a new contemporary ballet set to music by J.S. Bach. Ms. Seiwert brings her unique voice to this new work with her precision and musicality.

Kara Davis, founder and choreographer of project agora is putting the final touches on her new work which is yet untitled. Her evocative style of movement and always present sharp observations about the human condition are alive in her TDC premiere.

Zohar Dance Company’s founder and director, Ehud Krauss, is completing his new work with music by Winton Marsalis. This new work bares the classic jazz style for which he is so well known. It is layered with a life experience of research and creation of jazz dance works that is rare in jazz choreography today.

Heather Cooper, current TDC faculty member, associate professor of dance at San Jose State University and choreographer for sjDANCEco, made a powerful work, charged with energy and shifting view points. Music composed by Alan Molina.

TDC’s artistic director, Mark Foehringer, is the founder and choreographer of San Francisco based Mark Foehringer Dance Project|SF. This season, his choreographic offering is inspired by the poems by American poetess Mary Oliver. Foehringer’s new work is created for the graduating seniors of TDC. These five seniors come from all over the bay area: Chelsea Henriques of Concord, Cody Rogers of Santa Cruz, Corrie Farbstein of San Mateo, Emma Gonzalez Beban of Mountain View, and Gabby Bruno of Mountain View.

To Purchase Concert Tickets
Call (408) 590-3853

Summer Intensive
August 9th – 13th

Preview Image

Join us for our summer intensive, 5 days, 6 hours per day, with some of the best classes the bay area has to offer. Outstanding professional faculty, variety of dance styles, hard work and lots of fun!

Featuring the following guest artists

Adam Aicher, Christian Burns, Lee Wei Chao, Vid Cotarta, Kara Davis, Arturo Fernandez, Paco Gomes, Carlos Jones, Gary Masters,       Stacey Printz, Ronnie Reddick, Lizz Roman, Amy Seiwert

And our own TDC Faculty -
Mark Foehringer, Brian Fisher and Heather Cooper

Register online www.teendancecompany.org
Or, call (408) 590-3853

About TDC

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TDC began in 1999, based on a concept of founder Darlene Easterling, when she recognized the Bay Area’s need for a forum where exceptional teen dancers could convene and work with contemporaries. Even though there were several avenues for dancers whose interest was predominantly ballet, there was nothing available for teens whose passions included commercial, concert, and theatrical dance in the genres of contemporary/modern, jazz, and tap. Ms. Easterling approached nationally recognized choreographer/performer Carlos Jones and together they launched the innovative, audition based pre-professional contemporary teen dance company,TDC. The success of TDC brought with it rapid growth and by the end of its third season TDC produced its first formal concert. The program featured original and conceptual material, complete with integrated costume and lighting design. To ensure continuity of TDC’s highly successful program and its requisite of high level of technical proficiency, a teaching staff of qualified professional was brought in-house. Today, TDC’s simple beginnings have transformed into an intricate offering of different levels of dance training, performance opportunities and a renewed focus on community outreach.

Tech Week and ABT Summer Intensive Auditions this Week

Monday, January 25th, 2010

Seems like we just got back from New York City, but Julian and his Dad went off to San Francisco today for his American Ballet Theatre summer intensive audition. I think he was a bit less nervous this year, but, of course, this year everything is riding on it. Last year, he did it on a whim thinking he was going off to Jewish camp. This year, he wants to go to ABT.

If he can, however, he might still audition for a few other summer intensives, but his schedule might not allow it.

This week will be intense. His pre-professional dance company, TDC, has its tech week before its Second Stage performance. Tickets are still available for one or two performances… (Go to www.teendancecompany.org to get tickets; performances are at the Mountain View, CA, Center for Performing Arts on Saturday and Sunday).

Julian will be in a number of pieces, including a duet. He claims he will be wearing little clothing. In the duet he wears a jumpsuit shorts outfit (red) that “shows everything,” he says. (In fact, the artistic director insisted Julian trade in his very comfortable M. Stevens dance belts for a padded Capezio one for the number so he wouldn’t “show” quite as much.)  In another piece he wears only booty shorts and in another booty shorts and a shirt. Another piece he is fully clothed in pants and a T-shirt; in this number, he actually dances the whole time with his hands in his pockets, even doing lifts this way. It’s quite unique! Anyway, his willingness to wear so little clothing tells you how he is growing up and becoming more comfortable with his body and showing off his muscles and general physique.

Julian’s sister, the budding costume designer, made the skirts for his piece of choreography, which was set on three girls. He got the inspiration from the suicide of a friend. He is also trying to turn it into a solo for YAGP, but he likes it better on the girls.

Speaking of choreography…we went to see Christopher Wheeldon’s company Morphoses in Palo Alto (at Stanford) on Friday night. We enjoyed most of the show. We weren’t so thrilled with his first piece, but we enjoyed his second one. There were several others by different choreographers, and we enjoyed most of those as well. I loved one that featured a box.  A woman danced in it briefly. There was a chat with Wheeldon afterwards. Julian was able to ask a question about how he choreographs.

My husband asked how he finds his dancers, who are very good. He said he finds them by working with different companies around the world. He also finds some via videos sent to him.

In any case, I’m very excited to see Julian’s first work performed. It’s a big step for him. He’s the youngest choreographer out of the student choreographers this year.

And by this time next week, hopefully we will have heard whether or not he has gotten accepted into the summer program at ABT…and if he’s gotten a scholarship or not. That surely would help make it a bit more affordable.

I’ll keep you posted on how things go.

Please Help TDC Continue Turning Out Great Dancers

Friday, December 4th, 2009

Like many non-profit arts organizations, TDC, where Julian dances, has felt the hit of the economy. The company has been smaller than usual over the last few years, but, in fact, it must remain rather small for the program to be effective.  And the program is effective, turning out top-notch dancers that go on to Julliard and some of the other best-known and well-respected dance schools in the nation as well as into professional companies and onto shows like So You Think You Can Dance.  It’s a program that doesn’t stress competition but rather dance as an art form, offering its dancers an incubator of sorts where they can work together and with professionals to create an amazing energy that makes them strive to be the best dancers they can be…and helps them to achieve that goal.

All the money that comes in from tuition and fundraising is spent on the kids at TDC in one form or another. However, with a small company and the economy making it more difficult to get donations, TDC, like many non-profits, needs more financial support than ever. So…I’m asking my readers here to help in a way that doesn’t cost you any money at all. All it takes is a click…

If you are a Facebook user, please follow this link to the Chase Community Giving page:
http://apps.facebook.com/chasecommunitygiving/charities/search

You’ll be asked to join, or become a fan, and then you can type in Teen Dance Company of the Bay Area and vote for TDC. The non-profit with the most votes gets a $25,000 donation!

Julian and all the kids at TDC will really appreciate your support of their program. I will, too.

If you would like to make a direct donation to TDC, you can do that here: http://www.teendancecompany.org/support.html

Thank you!

OMG! Home 2 Weeks and No Time to Write!

Saturday, August 15th, 2009

I have to apologize to any faithful blog readers! I have been back from New York City from two whole weeks, and I have not had a minute to write a blog post. In fact, I should be working on a column for Movmnt magazine or editing for a client right now, but I figured I better right something soon or no one would bother continuing to read this blog!

Re-entry into normal life in California was a bit odd for Julian and I. We really found it quite odd to be back home after seven weeks in the city. That said, life was not normal. My stepson arrived just one and a half days after we got back, and Julian immediately went back to taking evening classes at Teen Dance Company.  Plus, we had to juggle my daughters internship schedule, which took her in the opposite direction to the University of California-Santa Cruz; TDC is in Mountain View in the valley. Between doing things with my stepson and reacclimating to driving every day and every which way, my work began to pile up. It was a bit crazy.

The first full weekend we were home, Julian received a text message from a fellow TDC company member asking if he was auditioning for Mark Froehringer‘s Nutcracker in San Francisco. Well…we had thought about doing so, but it wasn’t on my radar…at all. In fact, I haven’t been using my daytimer at all. So, we jumped up and showered and drove like a bat out of hell into San Francisco.

Now, the woman who choreographed the Nutcracker Julian was in last year has already been emailing us as well. She’d like him back, although at 5’7″ or more, I think he’s a bit tall for Fritz. (She says he can do more this year; last year he also did the Russian dance.)

Give me a break, though…summer’s not even over and we are thinking about a performance that happens in December. And for Julian, it’s another hard choice: Dance with friends or dance with a professional company. (He was asked to do some awesome partnering during the audition in San Francisco…) For my husband and I, it’s also a hard choice: an hour and a half drive to San Francisco every Friday and Sunday from mid-September until mid-December. (And I was all excited that my daughter is giving up swimming, which means we finally have Friday’s free, since TDC doesn’t have classes on Friday.)

Anyway…back to NYC. I promised to tell you about the great teachers Julian danced with there, in case you should happen to find yourself at Broadway Dance Center. Some of the ones he liked the best were guest teaches, however. By far, he enjoyed contemporary classes with Slam the most. Slam, otherwise known as Salim Gauwloos brings to his teaching and choreography not only his technical ballet training but also his experience as a dancer with Madonna. Yes, he was a big MTV star and her touring dance partner. Yet, he now choreographs for the likes of ABT and the Orlando Ballet. Julian took three classes with him, and loved his choreography and working with him. It didn’t hurt that Salim noticed him and commented on his technique, even using him to demonstrate in the second and third class. (Sorry…had to brag a bit.)

Staying in the contemporary vein, he really enjoyed a class with James Tabeek, who was in the 1st national tour of the Broadway show Wicked,  and appeared on Broadway in Taboo and Beauty and the Beast.

Julian took two jazz classes with BDC favorite and staple Sheila Barker. He adored her class and her. She came out and gave me a hug and a kiss just for being Julian’s mother! (By the way…I got a hug and a kiss from Slam as well, which I think I enjoyed more.) He worked super hard in her class and she corrected him a lot. I highly recommend her class to anyone wanting to take jazz. (By the way, I think I mentinoed that Julian took two Broadway jazz classes at Alvin Ailey with Sue Samuels, mother of tapper Jason Samuels Smith. They were fabulous as well, and I highly recommend her and a trip to Alvin Ailey if you can make it. However, she teaches beginner classes at BDC.)

On to hip hop, which Julian had the most fun taking at BDC. He tried several class, always looking for “old-school” hip hop rather than “MTV” hip hop. He loved classes with Bam and Leslie Feliciano and Kelly Peters. He also enjoyed one with Luam, although that wasn’t as old school as he enjoys. These classes were all packed…I mean packed. Luam’s class had 72 people in the studio at one time. (Again, he was sorry not to take Jared Grimes class, but he was away.)

I’ve already covered tap; check older posts for information on that. Julian really didn’t do any tap the last week — and no ballet. He had done those two art forms for six weeks. He stuck with contemporary, jazz and hip hop that final week in New York.  And he had a blast and got great feed back from almost all the teachers at BDC. He kept up in even the most advanced classes, and his newly-improved technique was noticed. So, overall, a success all the way around.

Plus, he returned home without injury. The heel issue healed up and never  came back.  He never had another bout of dehydration. Success.

This week he completed six hours of dance per day again. TDC had its annual summer dance intensive. He also took a master class at a local studio taught by Sonya Tayeh of So You Think You Can Dance fame. We had met her in New York City. He had his picture taken with her, and it’s now his Facebook profile photo. How cute is that?

The TDC intensive culminated on Friday with auditions for the company. Unfortunately, a few of last year’s members didn’t return, but we have some great new dancers who auditioned and made it into the company. The company is still a bit small, but we hope to gain a few more in the next few weeks or in December. (If you know any teens in the Bay Area – CA looking for a great studio that focuses on dance as an art form and on contemporary, modern and classical ballet, please send them to TDC for an audition. They can still join the company, although they might not be in all the peformance pieces this fall.) The kids also study tap, pilates and a little jazz and hip hop.

Julian is in the company again, and he made it into the first three pieces of choreography, so he is very happy. He will miss a few of his friends who didn’t return this year, but he actually has a few friends joining him from other studios that he knows. So, I hope it will be a great year for him.

Today he’s in the studio all day learning choreography fo ra modern piece. Tomorrow the same. This week, he will miss most of the tap festival in San Francisco to attend choreography sessions at TDC instead, but we might get a few classes in if he’s lucky. It had been our plan to attend most of the week.

Oh, and I’m waiting for MRI results on my twisted knee from that first weekend in NYC. So, think some positive thougths for me!

Okay…that gets you up to date. Off to a running start. I never even got a chance to catch my breath.

Next, a post not from me but form someone from Julians distant past…and then one from Denise Wall!

My Son's Adventures in Booty Shorts

Thursday, January 29th, 2009

Okay, some of you may find this post doesn’t live up to its great title, but I just couldn’t resist after saying that’s what I would write about next! Anyway, here’s the dirt: Julian, much to his dismay, has to wear booty shorts for one of his pieces of choreography during the three performances his company will give this weekend during their show.

He’s never worn booty shorts before. He has flat out refused to have a pair and has had nothing nice to say about them. In other words, booty shorts are not his favorite piece of dance attire.

Let’s put it this way: He likes dance belts better. In fact, I bought him a new brand of dance belt made out of a cotton blend and with a bit wider strap up the buttocks (or booty…if you look up the definition of the word), and he told me that it was “comfy.” He wouldn’t say that about booty shorts. In fact, here’s what he had to say about the borrowed pair he is wearing (he refused to let me buy him a pair of his own — he won’t own a pair): “They are uncomfortable, ride up my butt, make me feel naked, and I hate them.”

That said, it doesn’t matter how he feels about them — or in them, for that matter — he’ll be wearing them this weekend in one number performed three times. And I’ll get to see just how cute he looks in them. (Now, I have to ‘fess up that tonight — actually after I had already posted this — he came home and admitted they were “comfortable.” So, just like a dance belt, I guess he has gotten used to them. Next thing you know, we’ll be buying a pair…Just you wait and see.)

On another subject, he has decided to give up summer camp to go to American Ballet Theatre’s summer dance intensive. That was really a no brainer. Now I just have to figure out how to afford it and where we will stay. The 25% scholarship, which I have been told should be relished since any ABT scholarships are not given out freely, helps but is not nearly enough to make this affordable. Of course, being the good dance mom that I am, I will make this happen.

I did, however, go through a very bad (and probably perimenopausal hormonal day) feeling terrible that my husband and I messed around with Julian’s summer plans by ever even suggesting that he audition for ABT’s summer intensive. I was crying and depressed and feeling horrible about putting him in a position of having to choose between one last year of summer camp with his friends and this dance program. (Now, of course, I had told my husband not long ago that the money spent on summer camp would buy a lot of dancing, and Julian would be better off dancing, but I still felt terrible that he had to choose between the two.) 

Julian was very brave and adult about it, and said that maybe the reason he missed so much of camp last year (when he was sick) was to make it easier this year to make this choice. I guess my “there must be a reason for everything” attitude really has rubbed off on him! We decided that he probably doesn’t feel quite as attached or connected to those friends since he spent only two weeks with them rather than four, and that did, indeed, make it a bit easier to decide on ABT rather than camp. He, himself, did say that camp was “just a small bit of time” compared to ABT, which would “affect his whole life.” Now…camp does affect him considerably, but ABT will change his attitudes, perfect his dancing, open his eyes to the dance opportunities available to him — and to the world of other male dancers out there.

Also, in another year or two, he might not make it into the ABT summer intensive. Ballet is not his primary focus, and as these boys get older, the competition for getting into this program (or any program) gets tougher. He’ll be auditioning in another age group in two years. Even next year, there’s no gaurantee that he would once again get selected for New York. So, he said, “I better go now.”

Which means I’ll probably be going, too. I used to work in Manhattan. I’m kind of looking forward to it!

Next post: More Opportunities Julian Can’t Take Advantage Of…

Dance Evaluations and Lessons Learned

Monday, November 3rd, 2008

It’s amazing how far a little bit of communication goes to soothe concerns, ease bad feelings and boost your sense of well being. As you might have guessed, Julian’s evaluation at Teen Dance Company went quite well and helped not only him feel better about what he’s doing there and how his teachers are dealing with and viewing him, but it made his dad and I feel a lot better as well.

 

No, we didn’t storm in and ask that he be treated like a prince, and they didn’t offer to treat him like one either, but it turned out okay all the same. And they gave us 30 minutes rather than 15 minutes, as scheduled.

 

As I’ve said previously, we’d been feeling like he wasn’t “appreciated,” but, in fact, it turns out he is. (We should have known.) And, it seems, he’s cared for as well. We were shown by Mark Foehringer the exact issues he’s working on with Julian and why. We were given more information on why the modern teacher, Brian Fisher, doesn’t yet want to move Julian up to the higher class, and it’s not just that Julian doesn’t know enough modern technique either. (After all, he’s only been studying modern for two months.) He’s actually concerned Julian might get hurt if he puts him in the higher class. (I suppose the fact that he goes 110 percent when put with the “better” kids and doesn’t actually know what he’s doing 110 percent of the time could lead to injury.)  Everyone wants to be sure Julian is doing things correctly and not moving forward with bad habits that later will be hard to break or that will cause him to get injured. (This speaks to the subject of moving slowly rather than quickly, something boys don’t like to do, which I will address in my next blog post.)

 

No one was jumping up and down and telling us how excited they were to have Julian in their company, but I suppose they can’t do that. They have to treat everyone equally. (Okay, I’m trying to be nice and play devil’s advocate to some extent here. I still want them jumping up and down, because I have, after all, brought them a boy, not to mention a boy with a fair amount of talent.) They did seem to indicate that they were pretty happy to have him with smiles and nods but no outright words when I said something that gave them a chance to actually do so. I’ll take that.  

 

As for the actual evaluation, they told us Julian is doing well overall. And all the teachers enjoy having him in their classes. (And why shouldn’t they? He’s a pretty pleasant chap most of the time, unless you’re his mother hassling him about his bad grades. Then he becomes something quite the opposite.) And many of the issues they saw with his dance, such as tight hips, lack of flexibility and problems with control of his back, they mostly attributed to the huge amount of growing he seems to be doing. (I think he’s grown about six inches in the last four months.)

 

The really great part was that Mark was able to give Julian specific things to work on and accomplish so he can move up to the next levels in ballet. One, interestingly, had to do with musicality: actually doing his barr work with the music in mind. For example, not popping out of a plié but actually coming out of it with the music.  Also, Darlene Castro-Easterling, who serves as the Pilates and tap instructor, said she will give Julian special stretching and strengthening exercises. Mark also will give Julian special stretching exercises.

 

Additionally, and this may be the best part of the whole meeting, when I brought up the fact that Julian is not getting to practice the “guy” ballet moves he already knows, nor is he learning any new ones, Mark jumped on this and solved the problem. While the girls are putting on their point shoes on Thursday nights, Julian will get 10 or 15 minutes alone with Mark to work on the “boy stuff.” Then, instead of being in the other “lower” ballet class that night, he will stay and do ballet with these girls, who are the really serious ballet students in the company, and Mark will carve out time for Julian to continue working on things that boys need to learn, such as partnering. Yahoo!  How the class will be structured for him is a bit up in the air, since all these girls are on pointe, but I’m sure it will be fine.

 

So, we left with Julian feeling pretty good about things in general. He even said that after hearing Mark explain to him in more detail some of the thing he needs to correct in ballet, he understands better and feels more inclined to go to him after class and ask for that type of explanation again. That’s a great lesson in and of itself: knowing that a bit of one-on-one time with a teacher so you can get an explanation about a correction can help you correct it more quickly.

 

And mom and dad felt better, too. We felt that the teachers at TDC are looking out for our son, not just now but in terms of helping him develop as a dancer for the long haul, and that they enjoy and appreciate him. And they were responsive to his needs. We were told to trust them…I guess a bit of trust is a good thing, too.

 

All is well here…for now. 

 

(Note: During the month of November I write and manage a blog called Write Nonfiction in November – http://writenonfictioninnovember.wordpress.com. It’s both a blog and a challenge to nonfiction writers, myself included, to start and finish a nonfiction writing project in 30 days. As you can imagine, between working on my own project and blogging – although I do have guest bloggers this year – this endeavor takes up a lot of my time. And I do also work as a freelance journalist and nonfiction book editor during November…life and work and driving kids to and from dance and swimming go on.  So, if my posts in this blog get a bit less frequent this month, please understand and be patient. Don’t go away and not come back! I’ll be writing more often again in December. And if you come here and don’t find anything new to read, you can always find me at http://writenonfictioninnovember.wordpress.com or at http://purespiritcreations.com/wordpress, although that blog also will be taking a back seat to Write Nonfiction in November for the next 30 days.)