Posts Tagged ‘TDC’

Don’t Forget to Sign Up for TDC Summer Intensive!!!

Sunday, July 11th, 2010

For those of you in the N.CA Bay Area, don’t forget to sign up for the TDC summer intensive. This year there’s a great line-up of teachers. The faculty is truly great and it’s a wonderful opportunity to check out TDC. The week ends with an audition for the pre-professional company as well, so if you are interested in the company, this is the time to come out and dance! Plus, there are open classes all summer long.

Here’s the info on the intensive…(By the way, the photo is of the girls in Julian’s piece of choreography performing it in San Francisco!)

Summer Intensive
August 9th – 13th

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Join us for our summer intensive, 5 days, 6 hours per day, with some of the best classes the bay area has to offer. Outstanding professional faculty, variety of dance styles, hard work and lots of fun!
Featuring the following guest artists
Adam Aicher: Formerly with Company C. Affiliated with Moving Arts
Christian Burns: Formerly with LINES Ballet, Affiliated with SF Conservatory of Dance, Co-director The Foundry
Lee Wei Chao: Former dancer with Milwaukee Ballet Company, Joffrey Ballet of Chicago & Taipei City Ballet, Faculty: LINES Ballet
Vid Cotarta: San Francisco based Teacher & Choreographer
Kara Davis: Faculty: LINES Ballet, UC Berkeley, Co-director project agora
Arturo Fernandez: Ballet Master Lines Ballet, Master Teacher
Paco Gomes: Artistic Director: Paco Gomes & Dancers, Affiliated with ODC Dance Commons & San Francisco State University
Marina Hotchkiss: LINES, BFA Program Director
Carlos Jones: Assistant Professor of Theatre and Dance at Buffalo State College, Choreographer/Master Teacher
Gary Masters: Associate Professor of Dance, San Jose State University, Founder and Co-Artistic Director of sjDANCEco. Former Principal dancer with Limón Dance Company
Stacey Printz: Artistic Director, Printz Dance Project, Affiliated with San Francisco Dance Center
Ronnie Reddick: San Francisco based Teacher & Choreographer
Lizz Roman: Artistic Director: Lizz Roman & Dancers, Affiliated with ODC Dance Commons & UC Berkeley
Katherine Wells: Affiliated with Robert Moses Kin, MFDPSF, and former dancer with Lar Lubovitch

And our own TDC Faculty -

Mark Foehringer: Artistic Director of Mark Foehringer Dance Project San Francisco & TDC
Brian Fisher: Formerly with ODC Dance, Affiliated with MFDPSF
Heather Cooper: Associate Professor of Dance, San Jose State University, Dancer: sjDANCEco, Choreographer

Register online www.teendancecompany.org
Or, call (408) 590-3853

OMG! Tech Week after Tech Week and Finals, Too!

Wednesday, June 2nd, 2010

This is just a short post. Things are gearing up here…or have been in high gear. We are trying our best to get Julian to study every chance he gets, but those are few and far between. He had tech week last week for Alice in Wonderland. The show was fabulous! Oh, how cute he was with ear and a nose and a ruffled shirt with a velvet jacket. He made a wonderful White Rabbit. His dancing was great–super partnering!–and he did a fine acting job as well (if I do say so myself). And this week we are heading into three days of tech for the TDC Spring Concert. (Please buy a ticket and support TDC if you live in N. CA!) By the time Julian finishes with that on Sunday, finals will be starting on Monday.

My daughter graduates on the 11th and five days later Julian and I are off to New York for the ABT Summer Intensive. I’ve hardly had time to think about it! OMG! Good thing he has most of his gear already and we know are way around. I guess I better start packing! I have a deadline on the 10th, too.

Sheesh.

Anyone else out there feeling a bit frantic about now?

So, today I’m just writing to say…well…things are crazy, but the boy is dancing up a storm and feeling good about that. He’s not stressed about exams. I am. I’m worried in general about his grades. I’ll feel better when I find out he brought all his grades up a notch. My stepson arrives on Friday. He’s supposed to be Julian’s study buddy…

Ah, well…In the meantime, I have enough to do with getting ready for NYC and my daughter’s graduation.

Wish you all could have seen my rabbit…so cute. He’s excited to see where he is placed this year at ABT. I won’t reveal his hopes. Oh! His best friend (a girl) is going, too. So that will be nice.

That’s it today! Just some friendly nervous mom chatter.

By the way…any votes on the new theme for the blog? I’ve changed it two or three times now. Now one has said a thing.

TDC Spring Concert and Summer Intentsive Fast Approaching

Sunday, May 23rd, 2010

Okay, this is a blatant advertisement for the TDC Spring Concert and summer intensive, if you live in the Northern California area. Attending the show offers a great way to see what the program is about and to see the level of dance and dancer at TDC. Plus, by attending you support a superb nonprofit organization focused on turning out dancers prepared to enter college dance programs or the world of professional dance. The summer intensive, like the year-round program, is superb and offers great local teachers and choreographers. It’s also concludes with auditions for next year’s program.

So, here’s the info:

Annual Concert 2010
Mexican Heritage Theatre, San Jose

Saturday, June 5 at 7p.m.

Sunday, June 6 at 2p.m.

Corrie's work

Under the artistic direction of Mark Foehringer, TDC presents its 11th Spring Concert with six world premieres by some of the Bay Area’s most noted choreographers at Mexican Heritage Theater of San Jose.

KT Nelson, associate artistic director of ODC/Dance, has created a new work for this concert using Vivaldi’s Summer as her musical score. KT Nelson has conceptualized a work for the TDC dancers that features their strengths and pushes their boundaries.

Amy Seiwert, resident choreographer of Smuin Ballet and artistic director of

im’ij-re , has created a new contemporary ballet set to music by J.S. Bach. Ms. Seiwert brings her unique voice to this new work with her precision and musicality.

Kara Davis, founder and choreographer of project agora is putting the final touches on her new work which is yet untitled. Her evocative style of movement and always present sharp observations about the human condition are alive in her TDC premiere.

Zohar Dance Company’s founder and director, Ehud Krauss, is completing his new work with music by Winton Marsalis. This new work bares the classic jazz style for which he is so well known. It is layered with a life experience of research and creation of jazz dance works that is rare in jazz choreography today.

Heather Cooper, current TDC faculty member, associate professor of dance at San Jose State University and choreographer for sjDANCEco, made a powerful work, charged with energy and shifting view points. Music composed by Alan Molina.

TDC’s artistic director, Mark Foehringer, is the founder and choreographer of San Francisco based Mark Foehringer Dance Project|SF. This season, his choreographic offering is inspired by the poems by American poetess Mary Oliver. Foehringer’s new work is created for the graduating seniors of TDC. These five seniors come from all over the bay area: Chelsea Henriques of Concord, Cody Rogers of Santa Cruz, Corrie Farbstein of San Mateo, Emma Gonzalez Beban of Mountain View, and Gabby Bruno of Mountain View.

To Purchase Concert Tickets
Call (408) 590-3853

Summer Intensive
August 9th – 13th

Preview Image

Join us for our summer intensive, 5 days, 6 hours per day, with some of the best classes the bay area has to offer. Outstanding professional faculty, variety of dance styles, hard work and lots of fun!

Featuring the following guest artists

Adam Aicher, Christian Burns, Lee Wei Chao, Vid Cotarta, Kara Davis, Arturo Fernandez, Paco Gomes, Carlos Jones, Gary Masters,       Stacey Printz, Ronnie Reddick, Lizz Roman, Amy Seiwert

And our own TDC Faculty -
Mark Foehringer, Brian Fisher and Heather Cooper

Register online www.teendancecompany.org
Or, call (408) 590-3853

About TDC

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TDC began in 1999, based on a concept of founder Darlene Easterling, when she recognized the Bay Area’s need for a forum where exceptional teen dancers could convene and work with contemporaries. Even though there were several avenues for dancers whose interest was predominantly ballet, there was nothing available for teens whose passions included commercial, concert, and theatrical dance in the genres of contemporary/modern, jazz, and tap. Ms. Easterling approached nationally recognized choreographer/performer Carlos Jones and together they launched the innovative, audition based pre-professional contemporary teen dance company,TDC. The success of TDC brought with it rapid growth and by the end of its third season TDC produced its first formal concert. The program featured original and conceptual material, complete with integrated costume and lighting design. To ensure continuity of TDC’s highly successful program and its requisite of high level of technical proficiency, a teaching staff of qualified professional was brought in-house. Today, TDC’s simple beginnings have transformed into an intricate offering of different levels of dance training, performance opportunities and a renewed focus on community outreach.

On to YAGP and 2nd Stage…

Sunday, December 13th, 2009

Nutcracker’s over for another year. Julian did a great job. He looked quite regal in red and white, and his partnering was commendable. The production, overall, was superb.

Now we are on to Youth American Grand Prix rehearsals. We started rehearsing earlier this fall, but the kids took time off during the last weeks of Nutcracker rehearsals. Well, Julian and his partner actually did do some rehearsing will at the center for performing arts and just about every chance they got.

We really aren’t sure if they will be totally “ready” come time…and we haven’t decided on when they’ll actually compete…but they will compete even if just for the experience. We may have to wait and go to San Diego just to give them more time.

Julian hopes to take the choreography he’s created for three girls – his first stab at choreography- at TDC and revamp it a bit for himself and enter that as a YAGP contemporary solo as well. Maybe he can also enter it for a choreography award. I’m not sure how all of this works; I actually know little to nothing about YAGP at this point. Time to bone up on the competition, I guess.

As for Second Stage, TDC’s winter production in Mountain View, we are well on our way for that. Julian is the first one to finish his piece for the student choreography track. He’s now got to clean it up. The kids are also rehearsing a variety of numbers. Julian is in one piece of student choreography, a contemporary duet, a tap piece, a hip hop number, a modern piece, and a group contemporary piece.  So, he’ll be sort of busy. (Second stage is the last weekend of January…another reason not to compete YAGP in San Francisco this year, since the competition falls on the same weekend.)

Let’s see if Julian can also get through midterms (mid-January) and get his grades up (yes…still could be improved). At least the girlfriend has left the scene (Julian’s doing), so maybe he’ll be able to focus on the really important things: dance and school.

In the meantime, Happy Chanukah to all my Jewish readers.

Please Help TDC Continue Turning Out Great Dancers

Friday, December 4th, 2009

Like many non-profit arts organizations, TDC, where Julian dances, has felt the hit of the economy. The company has been smaller than usual over the last few years, but, in fact, it must remain rather small for the program to be effective.  And the program is effective, turning out top-notch dancers that go on to Julliard and some of the other best-known and well-respected dance schools in the nation as well as into professional companies and onto shows like So You Think You Can Dance.  It’s a program that doesn’t stress competition but rather dance as an art form, offering its dancers an incubator of sorts where they can work together and with professionals to create an amazing energy that makes them strive to be the best dancers they can be…and helps them to achieve that goal.

All the money that comes in from tuition and fundraising is spent on the kids at TDC in one form or another. However, with a small company and the economy making it more difficult to get donations, TDC, like many non-profits, needs more financial support than ever. So…I’m asking my readers here to help in a way that doesn’t cost you any money at all. All it takes is a click…

If you are a Facebook user, please follow this link to the Chase Community Giving page:
http://apps.facebook.com/chasecommunitygiving/charities/search

You’ll be asked to join, or become a fan, and then you can type in Teen Dance Company of the Bay Area and vote for TDC. The non-profit with the most votes gets a $25,000 donation!

Julian and all the kids at TDC will really appreciate your support of their program. I will, too.

If you would like to make a direct donation to TDC, you can do that here: http://www.teendancecompany.org/support.html

Thank you!

Life in the Dance Lane

Friday, October 16th, 2009

In case you were wondering, I haven’t abandoned this blog. I’ve been a bit busy…first with the Jewish High Holy Days and then with my second ACL surgery in 14 years. Yes…that fall down the stairs in New York ended me up under the orthopedic surgeon’s knife on September 29th (after a preliminary visit to Julian’s sports specialist and an MRI). I’ve been slowly recovering…more slowly than most ACL surgery patients since I had to have both the previous screws that were placed into my knee before (and the previous graft) removed before they could put in the new ones.

Anyway, life goes on in the “dance lane.” I’ve been home nursing myself back to health. I took a week off and then began doing a bit of work here and there. Then this week a big storm his Northern CA, our first of the season (a bit early), and that knocked our power out for three days. Oops. Time off for me…nice especially since I was coming down with whatever virus or flu my daughter was spreading around with her cough.

As for Julian, he’s, of course, dancing up a storm. Things are going well at TDC. He’s working really hard–still drawing on that NYC energy. He’s in all the pieces of choreography this year so far, although one choreographer probably won’t use him since he has to miss one of her sessions for a Nutcracker performance. Nutcracker is going really well. He’s very excited that he chose to once again do the San Jose Dance Theater production, since as the prince he is getting to do some great partnering. This is something really missing in his normal year-r0und training. He is also getting a few solos with some “guy” stuff thrown in. Additionally, quite a number of Sunday rehearsals are attended by a male dancer from Ballet San Jose, which means Julian gets somewhat of a private lesson with a man. He’s worked on an awesome lift last weekend, but the guywasn’t there to help; Julian hopes he’ll be there this weekend. Choreographer Marcie Ryken saw the lift in a Ballet San Jose production recently.

Julian is really enjoying the choreography track at TDC this year. It’s the first time he’s tried choreographing for others…or for himself really. I think the girls are really working hard doing very physical choreography–things Julian would choose to do himself. So far, however, his teachers have been happy with the progress he’s made and with the piece itself. I’ll write more about the process another time.

Other than that, Julian is doing better in school. He started out with a bang and recently lost his focus. I think a bit of being grounded has helped him regain that! He has a girlfriend now, and he has become somewhat “popular,” even hanging out with some popular jocks at the school. So, he feels he has turned a corner when it comes to his social life. However, he was sad to discover that his little group (just two girls really) ditched him at the beginning of the year. I think that propelled him into some other groups, though, and even some kids who really disliked him before are beginning to like him.

I chalk all of this up to this past summer in NYC and at American Ballet Theatre (and at Broadway Dance  Center). I think the level of confidence he developed and the degree of determination with which he returned made a huge difference in how he saw himself and how others saw him. When he was clear (or clearer) about who he was and where he was going, I think his energy changed and people started treating him differently. Not that he didn’t know this before, but his commitment was different. And they felt that.

So, all in all…things are going well in the dance lane, I’d say. I promise I’ll try to get another guest blog post up soon. I still have to transcribe my interview with Denise Wall…but I will, I promise!